The range begins with the award winning Nexus Series, a three column design made for the HiFi enthusiast. As with all Atacama speaker stands, Nexus allows you to increase the mass of the stand by filling the largest column with Atabites.
Even if you already have a loudspeaker stand, you can still use one of these foam–based speaker platforms on top of it to reduce the amount of vibration getting into the stand and subsequently into the floor. Many of the commercially available platforms come with additional foam wedges that may be used to adjust the vertical angle of the speaker if necessary.
An isolation platform works in a similar way to a car’s suspension, and comprises three mechanical components: a spring, a mass supported by the spring, and some form of damping to prevent the sprung mass from continuing to bounce around. In a car you have the springs between the axles and the car body: the car body provides the mass and the shock absorbers provide the damping, to stop you having a bouncy ride.
Speaker positioning is critical when it comes to creating the ideal soundscape. KEF Performance Speaker Stands were engineered in the UK specifically to ensure bookshelf speakers sound at their best. This encompasses ideal driver height positioning, steel damping plates accompanied by aluminium tube and base plates, and space available for the addition of inert filler for further stability. The Performance Speaker Stand is ideal for the LS50 and LS50 Wireless, but can also be utilised by other KEF Bookshelf Speakers.
Furthermore, in accordance with Newton’s third law of motion (each action has an equal and opposite reaction), whenever the speaker cone moves in one direction it will try to push the speaker cabinet the other way.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.
Thus, the sand provides dampening, but it also prevents the stand from ringing when it’s excited by the right frequencies – another handy little add-on.
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