Furthermore, in accordance with Newton’s third law of motion (each action has an equal and opposite reaction), whenever the speaker cone moves in one direction it will try to push the speaker cabinet the other way.
An isolation platform works in a similar way to a car’s suspension, and comprises three mechanical components: a spring, a mass supported by the spring, and some form of damping to prevent the sprung mass from continuing to bounce around. In a car you have the springs between the axles and the car body: the car body provides the mass and the shock absorbers provide the damping, to stop you having a bouncy ride.
A cheap DIY option is to build a couple of towers by stacking concrete blocks or bricks. This low–cost approach really works — we’ve used it successfully on more than one Studio SOS visit — and because of the high mass, very little vibrational energy makes it through to the floor. Some people like the rugged appearance of bricks, but if it’s not to your taste you can always disguise them with cloth drapes, or even spray them gold if you like that kind of thing!
One way to improve the situation is to add mass by means of a platform fixed to the top surface of the foam. Primacoustic do this in their Recoil Stabilizer by using a very thick steel slab with rubber matting on top, while Auralex and other companies use MDF topped with dense rubber on their more up–market platforms. IsoAcoustics take yet a different approach, by using a frame made from rigid components joined by resilient isolators.
One of the roles of an effective speaker support is to prevent such vibrations from being transferred into other structures, such as wooden floors, desktops, shelves or mixer meterbridges. It should also hold the speaker as firmly as possible, to reduce movement due to the action/reaction effect.
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