You could just plonk your speaker onto the top of your chosen stand, of course, but it’s best to have the speaker fixed to the stand in some way, because otherwise it can slide around. One popular and effective method is to place blobs of Blu–Tack under each corner; this acts as both a removable adhesive and as a damping medium. Another alternative is to use high–friction rubber matting, of the type sold for workshops and kitchens.
Their smaller stands are made from a type of plastic and their larger ones from cast metal. All are perfectly valid approaches. Note that some speakers, such as certain Genelec models and Event’s Opals, already come with resilient isolating platforms or feet and so may not need additional treatment.
And stands are especially helpful in the low-frequency area, as this part of the frequency spectrum is omnidirectional and therefore more sensitive to surfaces nearby than the high-frequency area.
If the output from the sub seems uneven, you need to try and find a location where it produces a less lumpy response. A good tip for doing this is to temporarily place the sub where you normally sit to mix, and then listen at different places around the edges of the room while playing back a same level chromatic (semitone) scale of sine waves from a sampler until you find the spot that produce the most consistent level across all notes.
The range begins with the award winning Nexus Series, a three column design made for the HiFi enthusiast. As with all Atacama speaker stands, Nexus allows you to increase the mass of the stand by filling the largest column with Atabites.
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