Their smaller stands are made from a type of plastic and their larger ones from cast metal. All are perfectly valid approaches. Note that some speakers, such as certain Genelec models and Event’s Opals, already come with resilient isolating platforms or feet and so may not need additional treatment.
Many stands come with a compartment dedicated to sand and similarly heavy and well-damped materials. And there’s method in the madness. You see, the speaker plays music by moving its drive unit in and out to create sound pressure: when the drive unit pushes outwards, it creates sound pressure, but when it moves inwards it pushes the entire speaker backwards.
Whether you use stands or platforms depends on what else you have in your system: usually you’ll pick whichever makes it easiest to get your speakers into the right physical position without them being occluded by other equipment, such as computer screens.
One of the roles of an effective speaker support is to prevent such vibrations from being transferred into other structures, such as wooden floors, desktops, shelves or mixer meterbridges. It should also hold the speaker as firmly as possible, to reduce movement due to the action/reaction effect.
And according to Otto Jørgensen, this is where you have the most to gain from acquiring a pair of speaker stands: “The most impactful benefit of getting stands is added distance between your speakers and surfaces. It keeps early reflections to a minimum. And that’s especially important for the speakers’ low-end performance.”
The range begins with the award winning Nexus Series, a three column design made for the HiFi enthusiast. As with all Atacama speaker stands, Nexus allows you to increase the mass of the stand by filling the largest column with Atabites.
Of course, you do still need to attend to room reflections by adding some basic acoustic treatment — but that’s another subject and one that we have covered on numerous occasions in our Studio SOS series.
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