Speaker positioning is critical when it comes to creating the ideal soundscape. KEF Performance Speaker Stands were engineered in the UK specifically to ensure bookshelf speakers sound at their best. This encompasses ideal driver height positioning, steel damping plates accompanied by aluminium tube and base plates, and space available for the addition of inert filler for further stability. The Performance Speaker Stand is ideal for the LS50 and LS50 Wireless, but can also be utilised by other KEF Bookshelf Speakers.
And according to Otto Jørgensen, this is where you have the most to gain from acquiring a pair of speaker stands: “The most impactful benefit of getting stands is added distance between your speakers and surfaces. It keeps early reflections to a minimum. And that’s especially important for the speakers’ low-end performance.”
The range begins with the award winning Nexus Series, a three column design made for the HiFi enthusiast. As with all Atacama speaker stands, Nexus allows you to increase the mass of the stand by filling the largest column with Atabites.
That’s where you need to put the sub. If your sub has a phase adjustment knob, or a polarity–invert switch, adjust this until you hear the loudest result from frequencies around the crossover point, typically 80 to 120 Hz.
To sum up, the platforms with a heavy plate of some type on top are the most effective, though you can add mass very easily to any type of support by using floor tiles. Similarly, the more massive and better damped a speaker stand, the less vibrational energy is likely to make it through to the floor and less the stand itself will vibrate. Compared with the cost of speakers, adding suitable stands or platforms is relatively inexpensive, yet it can make a very worthwhile improvement to the overall sound quality!
The heavier the stand, the less it will move, and with many hi–fi and pro–audio speaker stands (including many of the models made by Atacama, for example), it’s possible to fill the hollow support column with a heavy material to add mass and to damp resonances. This could be sand, shot or any other heavy but well–damped material.
If you visit the various hi–fi forums you’ll find a number of conflicting views on what the best material to use is, but there’s often little to back up people’s claims, and I’d suggest that that way lies madness! Dry playground sand works just fine, and you can even leave it inside plastic bags if you wish to avoid things getting messy.
Any content, trademark/s, or other material that might be found on this site that is not this site property remains the copyright of its respective owner/s. In no way does LocalHost claim ownership or responsibility for such items and you should seek legal consent for any use of such materials from its owner.