The theory is that the mass and spring characteristics are chosen so that the resonant frequency of the combination is well below that of any frequency they’re likely to be asked to isolate. For example, if the lowest note a speaker can reproduce is 30Hz, then the resonant frequency of the supporting platform needs to be well below that — perhaps just a few Hertz or less.
Whether you use stands or platforms depends on what else you have in your system: usually you’ll pick whichever makes it easiest to get your speakers into the right physical position without them being occluded by other equipment, such as computer screens.
So, what should you do instead? We’ve talked to our product team to learn more – and the solution is stands. Sideboards, tables and chairs are out of the question, too. Speaker stands are specifically designed to bring the best out of your speakers by managing vibrations, reducing early reflections and ensuring the proper amount of treble. Together with our Product Manager – Home, Otto Jørgensen, we’ve taken a look at the fundamentals.
We tend to think of a loudspeaker as a fixed box that produces sound directly from the moving cones of the speakers (and, where the speaker is ported, from the port as well). Although that is certainly where most of the sound comes from, the reality is that no matter how rigid the cabinet is there will also be some vibration of the cabinet walls.
It’s physics: for every action, there’s an equal and opposite reaction.
You can make a speaker move less in many different ways, and one of those is by adding more mass to the speaker and the stand; making it harder for the speaker to move. That’s why you’ll find a sand compartment in most stands.
The heavier the stand, the less it will move, and with many hi–fi and pro–audio speaker stands (including many of the models made by Atacama, for example), it’s possible to fill the hollow support column with a heavy material to add mass and to damp resonances. This could be sand, shot or any other heavy but well–damped material.
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